All Images
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Andrea Andreani after Andrea Mantegna, The Triumph of Julius Caesar [no.5 and 6 plus 2 columns], Italian, 1558/1559 – 1629, 1599, chiaroscuro woodcut, Rosenwald Collection
Andrea Andreani, after Andrea Mantegna
The Triumph of Julius Caesar [nos. 5 and 6 plus 2 columns], 1599
Chiaroscuro woodcut
National Gallery of Art, Washington, DC, Rosenwald Collection
Image courtesy of the Board of Trustees, National Gallery of Art -
Workshop of Andrea Mantegna or Attributed to Zoan Andrea, Four Women Dancing, Italian, active c. 1475/1519, c. 1497, engraving, Rosenwald Collection
Workshop of Andrea Mantegna or Attributed to Zoan Andrea
Four Women Dancing, c. 1497
Engraving, 24.3 x 35 cm (9 9/16 x 13 3/4 in.)
National Gallery of Art, Washington, DC, Rosenwald Collection
Image courtesy of the Board of Trustees, National Gallery of Art -
Workshop of Andrea Mantegna or Attributed to Zoan Andrea, The Triumph of Caesar: Soldiers Carrying Trophies, , c. 1485/1490, engraving, Rosenwald Collection
Workshop of Andrea Mantegna or Attributed to Zoan Andrea
Triumph of Caesar: Soldiers Carrying Trophies, c. 1485/1490
Engraving, sheet 28.2 x 26 cm (11 1/8 x 10 1/4 in.)
National Gallery of Art, Washington, DC, Rosenwald Collection
Image courtesy of the Board of Trustees, National Gallery of Art -
Woman holding the portrait of a man. Photo: Mauro Magliani.
Bernardino Licinio
Portrait of a Woman Holding her Husband’s Portrait, c. 1530s
Oil on canvas, 77.5 x 91.5 cm (30 1/2 x 36 in.)
Castello Sforzesco, Milan
Alinari/Art Resource, NY -
Leonardo da Vinci
Design for a catapult, from the “Codex Atlanticus,” fol. 51 recto, c. 1487–90
Drawing, 20.3 x 27.5 cm (8 x 10 7/8 in.)
Biblioteca Ambrosiana, Milan
Art Resource, NY -
After Antonio Pollaioulo
Mirror frame in the form of the Medici ring, c. 1470–80
Painted and gilded stucco in a gilt wood frame, 64.2 x 50.8 x 5.5 cm (25 1/4 x 20 x 2 1/5 in.)
Victoria and Albert Museum, London -
Picture 051
Biagio di Antonio, Jacopo del Sallaio, and Zanobi di Domenico
Morelli-Nerli cassone, 1472
Tempera on wood with gilding, 212 x 193 x 76 cm (83 1/2 x 76 x 29 9/10 in.)
Courtauld Gallery, London
© The Samuel Courtauld Trust/The Bridgeman Art Library -
CPH60817 The Two Friends (oil on panel) by Pontormo, Jacopo (1494-1557); Fondazione Giorgio Cini, Venice, Italy; Cameraphoto Arte Venezia; ITALIAN RIGHTS NOT AVAILABLE; Italian, out of copyright
Jacopo da Pontormo
Two Men with a Passage from Cicero’s “On Friendship,” c. 1524
Oil on panel, 88.2 x 68 cm (34 3/4 x 26 3/4 in.)
Fondazione Giorgio Cini/Galleria di Palazzo Cini, Venice -
Workshop of Andrea Mantegna or Attributed to Zoan Andrea
The Triumph of Caesar: The Elephants, c. 1485/1490
Engraving
National Gallery of Art, Washington, DC, Andrew W. Mellon Fund
Image courtesy of the Board of Trustees, National Gallery of Art -
after Matteo de’ Pasti, San Francesco at Rimini [reverse], 1450, bronze, Samuel H. Kress Collection
After Matteo de’ Pasti
Medal of Sigismondo Pandolfo Malatesta San Francesco at Rimini [reverse], 1450
Bronze, diameter 4 cm (1 9/16 in.)
National Gallery of Art, Washington, DC, Samuel H. Kress Collection
Image courtesy of the Board of Trustees, National Gallery of Art -
Matteo de’ Pasti, Isotta degli Atti, 1432/1433-1474, Mistress 1446, then Wife after 1453, of Sigismondo Malatesta [obverse], Italian, c. 1420 – 1467/1468, 1446, bronze, Samuel H. Kress Collection
Matteo de’ Pasti
Isotta degli Atti, Mistress, then Wife of Sigismondo Malatesta [obverse]; The Malatesta Elephant [reverse], 1446
Bronze, diameter 8.4 cm (3 5/16 in.)
National Gallery of Art, Washington, DC, Samuel H. Kress Collection
Image courtesy of the Board of Trustees, National Gallery of Art -
Triumphal arch of Alfonso of Aragon, 1453–8 and 1465–7
Marble
Castel Nuovo, Naples
Bridgeman-Giraudon/Art Resource, NY
