Attributed to Agnolo Bronzino Portrait of a Baby, 1540–49 Oil on panel, 33.5 x 26 cm (13 1/4 x 10 1/4 in.) The Walters Art Museum, Baltimore
Jacopo da Pontormo Maria Salviati and Guilia de’ Medici, c. 1538 Oil on panel, 88 x 71.3 cm (34 5/8 x 28 1/16 in.) The Walters Art Museum, Baltimore
Raphael, Bindo Altoviti, Italian, 1483 – 1520, c. 1515, oil on panel, Samuel H. Kress Collection
Raphael Bindo Altoviti, c. 1515 Oil on panel, 59.7 x 43.8 cm (23 1/2 x 17 1/4 in.) National Gallery of Art, Washington, DC, Samuel H. Kress Collection Image courtesy of the Board of Trustees, National Gallery of Art
Ambrogio de Predis, Bianca Maria Sforza, Italian, c. 1455 – after 1508, probably 1493, oil on panel, Widener Collection
Ambrogio de Predis Bianca Maria Sforza, probably 1493 Oil on panel, 51 x 32.5 cm (20 1/16 x 12 13/16 in.) National Gallery of Art, Washington, DC, Widener Collection Image courtesy of the Board of Trustees, National Gallery of Art
Pietro Perugino, Portrait of Lorenzo di Credi, Italian, c. 1450 – 1523, 1488, oil on panel transferred to canvas, Widener Collection
Perugino Portrait of Lorenzo di Credi, 1488 Oil on panel transferred to canvas, 44 x 30.5 cm (17 5/16 x 12 in.) National Gallery of Art, Washington, DC, Widener Collection Image courtesy of the Board of Trustees, National Gallery of Art
Titian, Ranuccio Farnese, Italian, c. 1490 – 1576, 1542, oil on canvas, Samuel H. Kress Collection
Titian Ranuccio Farnese, 1542 Oil on canvas, 89.7 x 73.6 cm (35 5/16 x 29 in.) National Gallery of Art, Washington, DC, Samuel H. Kress Collection Image courtesy of the Board of Trustees, National Gallery of Art
shot in studio hero
Titian Portrait of a Friend of Titian (Portrait of a Gentleman), c. 1550 Oil on canvas, 90.2 x 72.4 cm (35 1/2 x 28 1/2 in.) Fine Arts Museums of San Francisco, Gift of the Samuel H. Kress Foundation
Unknown MAN, possibly the artist or his brother, with medal of Cosimo the Elder 1389-1464, painted 1474-75
Sandro Botticelli Unknown Man, possibly the artist or his brother, with medal of Cosimo the Elder (1389–1464), 1474–5 Tempera on panel, 57.5 x 44 cm (22 3/5 x 17 3/10 in.) Uffizi, Florence Alfredo Dagli Orti/The Art Archive at Art Resource, NY
Desiderio da Settignano, The Christ Child (?), Italian, c. 1429 – 1464, c. 1460, marble, Samuel H. Kress Collection
Desiderio da Settignano The Christ Child (?), c. 1460 Marble, 30.5 x 26.5 x 16.3 cm (12 x 10 3/8 x 6 3/8 in.) National Gallery of Art, Washington, DC, Samuel H. Kress Collection Image courtesy of the Board of Trustees, National Gallery of Art
Matteo de’ Pasti (Italian, c. 1420 – 1467/1468 ), Isotta degli Atti, 1432/1433-1474, Mistress 1446, then Wife after 1453, of Sigismondo Malatesta [obverse], c. 1446, bronze, Samuel H. Kress Collection
Matteo de’ Pasti Isotta degli Atti, Mistress, then Wife of Sigismondo Malatesta [obverse]; Closed Book [reverse], 1446 Bronze, diameter 8.4 cm (3 5/16 in.) National Gallery of Art, Washington, DC, Samuel H. Kress Collection Image courtesy of the Board of Trustees, National Gallery of Art
Florentine 16th Century, Walnut Cassone made for Strozzi Family, , first half 16th century, walnut and poplar, Widener Collection
Florentine, first half of 16th century Cassone made for Strozzi family Walnut and poplar, 191.5 x 64.2 x 69.7 cm (75 3/8 x 25 1/4 x 27 7/16 in.) National Gallery of Art, Washington, DC, Widener Collection Image courtesy of the Board of Trustees, National Gallery of Art
Woman holding the portrait of a man. Photo: Mauro Magliani.
Bernardino Licinio Portrait of a Woman Holding her Husband’s Portrait, c. 1530s Oil on canvas, 77.5 x 91.5 cm (30 1/2 x 36 in.) Castello Sforzesco, Milan Alinari/Art Resource, NY
CPH60817 The Two Friends (oil on panel) by Pontormo, Jacopo (1494-1557); Fondazione Giorgio Cini, Venice, Italy; Cameraphoto Arte Venezia; ITALIAN RIGHTS NOT AVAILABLE; Italian, out of copyright
Jacopo da Pontormo Two Men with a Passage from Cicero’s “On Friendship,” c. 1524 Oil on panel, 88.2 x 68 cm (34 3/4 x 26 3/4 in.) Fondazione Giorgio Cini/Galleria di Palazzo Cini, Venice
after Matteo de’ Pasti, San Francesco at Rimini [reverse], 1450, bronze, Samuel H. Kress Collection
After Matteo de’ Pasti Medal of Sigismondo Pandolfo Malatesta San Francesco at Rimini [reverse], 1450 Bronze, diameter 4 cm (1 9/16 in.) National Gallery of Art, Washington, DC, Samuel H. Kress Collection Image courtesy of the Board of Trustees, National Gallery of Art
Matteo de’ Pasti, Isotta degli Atti, 1432/1433-1474, Mistress 1446, then Wife after 1453, of Sigismondo Malatesta [obverse], Italian, c. 1420 – 1467/1468, 1446, bronze, Samuel H. Kress Collection
Matteo de’ Pasti Isotta degli Atti, Mistress, then Wife of Sigismondo Malatesta [obverse]; The Malatesta Elephant [reverse], 1446 Bronze, diameter 8.4 cm (3 5/16 in.) National Gallery of Art, Washington, DC, Samuel H. Kress Collection Image courtesy of the Board of Trustees, National Gallery of Art
Bertoldo di Giovanni, Lorenzo de’ Medici, il Magnifico, 1449-1492 (The Pazzi Conspiracy Medal) [obverse], Italian, c. 1430/1440 – 1491, 1478, bronze, Andrew W. Mellon Fund
Bertoldo di Giovanni The Pazzi Conspiracy Medal: Lorenzo de’ Medici, il Magnifico (1449–92) [obverse]; The Murder of Giuliano I de’ Medici [reverse], 1478 Bronze, diameter 6.6 cm (2 5/8 in.) National Gallery of Art, Washington, DC, Samuel H. Kress Collection Image courtesy of the Board of Trustees, National Gallery of Art
Leonardo da Vinci Lady with an Ermine (Portrait of Cecilia Gallerani), c. 1490 Oil on panel, 54.8 x 40.3 cm (21 5/8 x 15 7/8 in.) Muzeum Czartoryskich, Krakow Scala/Art Resource, NY
Master Marsilio and his wife. A wedding portrait, in which cupid puts the marriage yoke on bride and bridegroom. 1523.
Lorenzo Lotto Marsilio Cassotti and His Bride, Faustina, 1523 Oil on canvas, 71 x 84 cm (27 15/16 x 33 1/16 in.) Museo del Prado, Madrid Erich Lessing/Art Resource, NY
Apollonio di Giovanni and Marco del Buono di Marco Meeting of Solomon and the Queen of Sheba, c. 1464–5 Tempera on panel, 52.5 x 185.5 cm (20 11/16 x 73 1/16 in.) Museum of Fine Arts, Boston, Bequest of Mrs. Harriet J. Bradbury
Apollonio di Giovanni and workshop Journey of the Queen of Sheba, c. 1464–5 Tempera on panel, 43.2 x 176.2 cm (17 x 69 3/8 in.) Birmingham Museum of Art, Gift of the Samuel H. Kress Foundation
Ercole de’ Roberti Giovanni II Bentivoglio, c. 1474/77 Tempera on panel, 54 x 38.1 cm (21 1/4 x 15 in.) National Gallery of Art, Washington, DC, Samuel H. Kress Collection Image courtesy of the Board of Trustees, National Gallery of Art
Michelangelo, ‘Crucifixion’
Michelangelo Christ on the Cross, 1536–41 Drawing in black chalk, 36.8 x 26.8 cm (14 1/2 x 10 5/8 in.) British Museum, London © Trustees of the British Museum
Ercole de’ Roberti Ginevra Bentivoglio, c. 1474/77 Tempera on panel, 53.7 x 38.7 cm (21 1/8 x 15 1/4 in.) National Gallery of Art, Washington, DC, Samuel H. Kress Collection Image courtesy of the Board of Trustees, National Gallery of Art
Leonardo da Vinci Ginevra de’ Benci [obverse], c. 1474/78 Oil on panel, 42.7 x 37 cm (16 13/16 x 14 9/16 in.) National Gallery of Art, Washington, DC, Ailsa Mellon Bruce Fund Image courtesy of the Board of Trustees, National Gallery of Art
Leonardo da Vinci Ginevra de’ Benci [reverse], c. 1474/78 Oil on panel, 42.7 x 37 cm (16 13/16 x 14 9/16 in.) National Gallery of Art, Washington, DC, Ailsa Mellon Bruce Fund Image courtesy of the Board of Trustees, National Gallery of Art
Sandro Botticelli Giuliano de’ Medici, c. 1478/80 Tempera on panel, 75.5 x 52.5 cm (29 3/4 x 20 11/16 in.) National Gallery of Art, Washington, DC, Samuel H. Kress Collection Image courtesy of the Board of Trustees, National Gallery of Art
Filippino Lippi Tobias and the Angel, c. 1475/80 Oil and tempera (?) on panel, 32.7 x 23.5 cm (12 7/8 x 9 1/4 in.) National Gallery of Art, Washington, DC, Samuel H. Kress Collection Image courtesy of the Board of Trustees, National Gallery of Art
Florentine 15th or 16th Century, probably after a model by Andrea del Verrocchio and Orsino Benintendi <> painted terracotta Samuel H. Kress Collection 1943.4.92
Florentine 15th or 16th century, probably after a model by Andrea del Verrocchio and Orsino Benintendi Lorenzo de’ Medici, 1478/1521 Painted terra-cotta, 65.8 x 59.1 x 32.7 cm (25 7/8 x 23 1/4 x 12 7/8 in.) National Gallery of Art, Washington, DC, Samuel H. Kress Collection Image courtesy of the Board of Trustees, National Gallery of Art
Leonardo da Vinci Ginevra de’ Benci [reverse], detail of original inscription VIRTU ET HONOR, c. 1474/78 Reflectogram of tempera on panel, overall 38.1 x 37 cm (15 x 14 9/16 in.) The National Gallery of Art, Washington, DC Image courtesy of the Board of Trustees, National Gallery of Art
Workshop of Apollonio di Giovanni Triumph of Chastity [obverse], c. 1450–60 Tempera and gold leaf on panel, 58.4 x 59.1 cm (23 x 23 1/4 in.) North Carolina Museum of Art, Raleigh, Gift of the Samuel H. Kress Foundation
Workshop of Apollonio di Giovanni Putti [reverse of Triumph of Chastity], c. 1450–60 Tempera and gold leaf on panel, 58.4 x 59.1 cm (23 x 23 1/4 in.) North Carolina Museum of Art, Raleigh, Gift of the Samuel H. Kress Foundation
Sofonisba Anguissola Double Portrait of a Boy and Girl of the Attavanti Family, early 1580s Oil on softwood panel, diameter 40 cm (15 3/4 in.) Allen Memorial Art Museum, Oberlin, Kress Collection
Marco del Buono Giamberti and Apollonio di Giovanni di Tomaso The Story of Esther, 1460–70 Tempera and gold on wood, 44.5 x 140.7 cm (17 1/2 x 55 3/8 in.) The Metropolitan Museum of Art, New York Image © The Metropolitan Museum of Art, New York, NY
Marco del Buono Giamberti and Apollonio di Giovanni di Tomaso Cassone with The Conquest of Trebizond, 1460s Tempera, gold, and silver on wood, distemper on inner lid, 100.3 x 195.6 x 83.5 cm (39 1/2 x 77 x 32 7/8 in.) The Metropolitan Museum of Art, New York Image © The Metropolitan Museum of Art, New York, NY
Interior cassone panel; reclining young man. 15th century. Photo: René-Gabriel Ojéda.
Giovanni di Ser Giovanni Guidi (Lo Scheggia) Interior cassone panel: Reclining young man, c. 1450 Musée du Petit Palais, Avignon Réunion des Musées Nationaux/Art Resource, NY
Antonio Rossellino, The Young Saint John the Baptist, Italian, 1427 – 1479, c. 1470, marble, Samuel H. Kress Collection
Antonio Rossellino The Young Saint John the Baptist, c. 1470 Marble, 34.7 x 29.8 x 16.1 cm (13 5/8 x 11 3/4 x 6 1/4 in.) National Gallery of Art, Washington, DC, Samuel H. Kress Collection Image courtesy of the Board of Trustees, National Gallery of Art
Pisanello, John VIII Palaeologus, 1392-1448, Emperor of Constantinople 1425 [obverse], Italian, c. 1395 – 1455, 1438, lead//Trial cast, possibly, Samuel H. Kress Collection
Pisanello John VIII Palaeologus (1392–1448), Emperor of Constantinople (1425) [obverse], 1438 Lead, trial cast, diameter 10.38 cm (4 1/16 in.) National Gallery of Art, Washington, DC, Samuel H. Kress Collection Image courtesy of the Board of Trustees, National Gallery of Art
SSI55065 Portrait of a Young Woman, 1485 (tempera on panel) by Botticelli, Sandro (1444/5-1510); 82×54 cm; Stadelsches Kunstinstitut, Frankfurt-am-Main, Germany; Italian, out of copyright
Sandro Botticelli Young Woman (Simonetta Vespucci?) in Mythological Guise, c. 1480 Tempera on panel, 81.5 x 54.2 cm (32 1/16 x 21 5/16 in.) Städelsches Kunstinstitut, Frankfurt am Main The Bridgeman Art Library
Andrea della Robbia Swaddled child, created c. 1463–6, installed 1487 Glazed terracotta tondo Ospedale degli Innocenti, Florence Scala/Art Resource, NY
Leon Battista Alberti Façade, Tempio Malatestiano, c. 1450 Rimini, Italy Scala/Art Resource, NY
Jacopo da Pontormo Childbirth bowl (tafferia da parto) with The Naming of John the Baptist [interior] and Della Casa and Tornaquinci Arms [exterior], 1526–7 Oil on wood, diameter 54 cm (21 1/4 in.) Galleria degli Uffizi, Florence Alinari/Art Resource, NY